Bio - Saur
* P L E A S E E A S A U R *

Already in the name flashes the unholy nexus--between the relentlessness of
Godzilla and Pleasure, Pure and Simple. PLEASEEASAUR: an astonishing
cybernetics in which pleasure bursts Forth as sound from the connection
between a boy and his machines. Pleaseeasaur: electronically generated music
that samples in equal amounts surreal lunacy and pop orthodoxy, a
sonic-heterogeneity that is mundane only in contrast with the Saur himself.
A veteran of We're Not From Idaho, Touch Me Zoo (both with Joe Jack Talcum
of The Dead Milkmen) and most recently, Small Craft Advisory, J.P. Hasson is
the kind of musician who dwells in music, never permitting a potential idea
to escape. He can be found at all times of the day, notepad in hand,
recording impressions that will be transformed into materials for
Pleaseeasaur, then dispensed with glee to pleasure-seekers of every ilk. For
J.P., there can be no line of "musical influences"; Pleaseeasaur is instead
the very performance of being influenced, indefinitely. Television, cultural
events, conspiracy theory, video games, from the periodic table to ethnic
foods, anything within his perceptual field--the field, after all, of
pleasure--becomes inspiration for the Saur's rapidly growing repertory of
tunes. These songs and pieces of songs will no doubt be acclaimed by
critical forces interested in enumerating and defending instances of the
so-called postmodern, but as emanations of the Saur, their true habitat is
the ears and mind of the hedonistic listener-

To label this music would be to speak hastily.

It IS

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